Serbian indie homage to giallo horror films.

She is the happy mother of a seven-year-old daughter and lives with her partner, journalist Ivan, in a wooden log cabin from the First Republic on the shore of a flooded quarry. The place is idyllic, but the relationship between Renáta and Ivan is more complicated. Ivan is now a forgotten curmudgeon, while Renáta, who has become a director, is at the peak of her powers. She encounters a new and intense love and must make a painful decision about this unexpected problem...

A girl is trapped in a room for 15 years of her life undergoing experiments. She tries to remember why and how she got there.

一段半小时的节选内容，来自1979年英国广播公司（BBC）的纪录片《镜后：道格拉斯·瑟克侧写》（Behind the Mirror: A Profile of Douglas Sirk），其中包含这位导演的罕见采访片段。

After their father dissapeared, Paul and Juliette Hagen try now to find him. In Order to do this, they watch his old videotapes to find a clue for his Location

A mute French orphan goes on a journey to fix her superstitious guardian's magical mirror which changes her life forever.

胡安，一位年轻的电影导演，邀请马特奥出演他的下一部短片。马特奥曾是一名演员，为了安稳的家庭和工作生活而放弃了艺术追求。起初只是职业合作，却逐渐演变成一个模糊的空间，创作与欲望在其中界限不清。影片讲述了两个男人陪各自的女友去森林，独处时面对一种无声的张力，最终走向一个不可避免的吻。随着排练的展开，胡安和马特奥不自觉地开始复刻他们为虚构故事所创造的那种互动模式。创作过程变成了一面镜子，映照出恐惧、挫败和未解的欲望。随着排练与现实之间的界限愈发脆弱，《镜子》探讨了对欲望的恐惧、内化的恐同心理，以及被选中的渴望——无论是在银幕上，还是在生活中。

A down-on-his-luck writer publishes a best-selling, but lurid novel under a pseudonym and discovers that his fictional personae has suddenly appeared and taken on a life of his own.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.

When Jo Tiegan is given an oval-shaped mirror, as a gift, by the elderly owner of an antique shop, she is amazed to see another girl's image in the mirror instead of her own reflection. It is also quite obvious that the other girl can see her just as clearly. Jo (from the 1990's) and 'the girl in the mirror', Louisa Iredale (from 1919), later accidently find that they can also travel to each other's times through the mirror - following upon which discovery a relentless sequence of events is set in motion.